Whispers of the Past/Transcript: Difference between revisions

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NARRATOR: "Although I can't help remembering the nurse's warning that I might not like what she has to say. Do I really need to know that badly? What if it's something awful that makes me repulsed by her? Can I really say that I'm prepared to handle whatever she has to say, regardless of what it is? Emi said she wanted to tell me “without screwing it up.” What the hell did she mean by that? What's there to screw up? I suppose there's not much use worrying about it, though. I'll find out today. It occurs to me that I really, really need a run this morning, to clear my head if nothing else."|-|
NARRATOR: "Although I can't help remembering the nurse's warning that I might not like what she has to say. Do I really need to know that badly? What if it's something awful that makes me repulsed by her? Can I really say that I'm prepared to handle whatever she has to say, regardless of what it is? Emi said she wanted to tell me “without screwing it up.” What the hell did she mean by that? What's there to screw up? I suppose there's not much use worrying about it, though. I'll find out today. It occurs to me that I really, really need a run this morning, to clear my head if nothing else."|-|
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If Hisao took advice from Misha=
NARRATOR: "Emi is waiting for me as promised, looking a little haggard but otherwise bright and cheerful. Much more so than any previous day this week."
NARRATOR: "Emi is waiting for me as promised, looking a little haggard but otherwise bright and cheerful. Much more so than any previous day this week."


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HISAO: "The bus?"
HISAO: "The bus?"
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If Hisao took advice from Misha=


EMI: "Yeah, the bus. I want to show you something, and I don't want to be late."
EMI: "Yeah, the bus. I want to show you something, and I don't want to be late."
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NARRATOR: "Emi's mother blows through the dining room, collects the two of us, and heads out the door at a brisk pace. Now I know where her daughter gets it from. The car pulls up at the cemetery gates, and I feel Emi tense up beside me. I reach over and give her hand a comforting squeeze, which causes her to relax a little. Emi's mother doesn't follow us, explaining that she prefers to visit the grave alone. Emi steps through the gates and looks back, as if to make sure I'm still there. We step into the cemetery."
NARRATOR: "Emi's mother blows through the dining room, collects the two of us, and heads out the door at a brisk pace. Now I know where her daughter gets it from. The car pulls up at the cemetery gates, and I feel Emi tense up beside me. I reach over and give her hand a comforting squeeze, which causes her to relax a little. Emi's mother doesn't follow us, explaining that she prefers to visit the grave alone. Emi steps through the gates and looks back, as if to make sure I'm still there. We step into the cemetery."


NARRATOR: "I don't feel comfortable in cemeteries. Gravestones litter the ground, each one serving as a reminder that someone used to be alive and is no longer. How many died young? How many were as old as I am now? When do I wind up with a marker of my own? How much longer do I have left? The concept of not waking up, not seeing Emi any more, is not a happy one. It frightens me, and I very nearly turn around and exit right then and there. I don't want to go among dead people, I don't want to see their stones and think about who they were or what they could have been if they'd only had more time. hen I look at the girl next to me, and my resolve returns. Emi's striding purposefully down the path, eyes clear, setting a pace that's very nearly a jog. The sooner we get there, I suspect she thinks, the better."
NARRATOR: "I don't feel comfortable in cemeteries. Gravestones litter the ground, each one serving as a reminder that someone used to be alive and is no longer. How many died young? How many were as old as I am now? When do I wind up with a marker of my own? How much longer do I have left? The concept of not waking up, not seeing Emi any more, is not a happy one. It frightens me, and I very nearly turn around and exit right then and there. I don't want to go among dead people, I don't want to see their stones and think about who they were or what they could have been if they'd only had more time. Then I look at the girl next to me, and my resolve returns. Emi's striding purposefully down the path, eyes clear, setting a pace that's very nearly a jog. The sooner we get there, I suspect she thinks, the better."


EMI: "We're here."
EMI: "We're here."


<p style="text-align:center;">[[File:Emi's fathers gravestone.png|700px]]</p>
<p style="text-align:center;">[[File:emi_grave.jpg|700px]]</p>


NARRATOR: "A gravestone, wholly unremarkable in everything except for the name etched upon it. The grass has grown up around the base. Emi's eyes are riveted to the stone. After a few moments she turns around, looking surprisingly calm, yet solemn."
NARRATOR: "A gravestone, wholly unremarkable in everything except for the name etched upon it. The grass has grown up around the base. Emi's eyes are riveted to the stone. After a few moments she turns around, looking surprisingly calm, yet solemn."
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EMI: "It worked pretty well! Until I met you and saw that you were trying to adjust to stuff here, so I thought I'd help and then you were so nice and I couldn't help it, I just..."
EMI: "It worked pretty well! Until I met you and saw that you were trying to adjust to stuff here, so I thought I'd help and then you were so nice and I couldn't help it, I just..."
<p style="text-align:center;">[[File:emi_cry_down.jpg|700px]]</p>


NARRATOR: "The tears are flowing now, and she accepts the embrace this time. The rest of her sentence is mumbled into my chest."
NARRATOR: "The tears are flowing now, and she accepts the embrace this time. The rest of her sentence is mumbled into my chest."
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NARRATOR: "Emi and I stay by the grave for a while, as Emi pays her respects to her father. When she's ready to go, we exit the graveyard side by side."
NARRATOR: "Emi and I stay by the grave for a while, as Emi pays her respects to her father. When she's ready to go, we exit the graveyard side by side."
<p style="text-align:center;">[[File:Emi embraces Hisao.png|700px]]</p>


<p style="text-align:center;">'''Next Scene: [[Hooray for Socks/Transcript|Hooray for Socks]]'''</p>
<p style="text-align:center;">'''Next Scene: [[Hooray for Socks/Transcript|Hooray for Socks]]'''</p>
[[Category:Act 4 Transcripts]]
[[Category:Act 4 - Motion Transcripts]]
[[Category:Emi Scenes]]
[[Category:Meiko Scenes]]
[[Category:Nurse Scenes]]
[[Category:Scenes in Emi's Route]]
[[Category:Emi's route]]
[[Category:Act 4]]