The Scene/Transcript: Difference between revisions
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NARRATOR: "I step through the door to find a gallery full of illusioned people. Despite Sae's remarks during my earlier visits I always thought it was very spacious, but now when it's crowded like this it looks positively cramped. I immediately notice Sae standing in the middle of a lively discussion, busily chattering with some old gentlemen. She's actually pretty tall and kind of cool-looking, so she stands out in the crowd. There are a few dozen wine glasses laid on the tables along the back wall, filled with burgundy liquid. A vast majority of the guests are sipping from their own glasses. The socialites and art connoisseurs are mingling happily, exchanging mild opinions about Rin's art which seems to be a secondary object of interest for most. I feel distanced, excluded from the other people here. I can't claim even at a stretch to be a social chameleon, so this situation is quite unnerving. Since I don't blend into the crowd at all, I just fake that I do, trying to look as cool and smooth as I can. I wonder how Rin is handling all this. If it was me, I would be quite freaked out. Throwing the anxiety aside, I try to carefully navigate through the crowd, stealing peeks at the framed paintings now hanging on the walls." | NARRATOR: "I step through the door to find a gallery full of illusioned people. Despite Sae's remarks during my earlier visits I always thought it was very spacious, but now when it's crowded like this it looks positively cramped. I immediately notice Sae standing in the middle of a lively discussion, busily chattering with some old gentlemen. She's actually pretty tall and kind of cool-looking, so she stands out in the crowd. There are a few dozen wine glasses laid on the tables along the back wall, filled with burgundy liquid. A vast majority of the guests are sipping from their own glasses. The socialites and art connoisseurs are mingling happily, exchanging mild opinions about Rin's art which seems to be a secondary object of interest for most. I feel distanced, excluded from the other people here. I can't claim even at a stretch to be a social chameleon, so this situation is quite unnerving. Since I don't blend into the crowd at all, I just fake that I do, trying to look as cool and smooth as I can. I wonder how Rin is handling all this. If it was me, I would be quite freaked out. Throwing the anxiety aside, I try to carefully navigate through the crowd, stealing peeks at the framed paintings now hanging on the walls." | ||
<p style="text-align:center;">[[File:rin_exhibition_paintings.jpg|700px]]</p> | <p style="text-align:center;">[[File:rin_exhibition_paintings.jpg|700px]]</p> | ||
NARRATOR: "Rin's exhibition takes about half of the gallery's wall space. Some paintings are less familiar than others, but I recognize most of them. Some I've seen being created at the club meetings after all, or remember from the time when Rin was choosing her portfolio. I note that a couple of the unfinished paintings are framed and on the wall as well. Maybe that's what they call coincidental art? Even Rin's failures, if you can call them that, became exhibits of her skill. Quite paradoxical." | NARRATOR: "Rin's exhibition takes about half of the gallery's wall space. Some paintings are less familiar than others, but I recognize most of them. Some I've seen being created at the club meetings after all, or remember from the time when Rin was choosing her portfolio. I note that a couple of the unfinished paintings are framed and on the wall as well. Maybe that's what they call coincidental art? Even Rin's failures, if you can call them that, became exhibits of her skill. Quite paradoxical." | ||
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RIN: "Ah..." | RIN: "Ah..." | ||
NARRATOR: "Everyone is waiting for her to say something, but she looks like a cat got her tongue. Each question piling up just adds to her distress. I fail to hear the question that is the proverbial one too many. It's like a motor stalling. Rin just freezes for a long, long second until she falls on her knees, hitting the floor ungracefully like a sack of potatoes." | NARRATOR: "Everyone is waiting for her to say something, but she looks like a cat got her tongue. Each question piling up just adds to her distress. I fail to hear the question that is the proverbial one too many. It's like a motor stalling." | ||
<p style="text-align:center;">[[File:rin_gallery.jpg|700px]]</p> | |||
NARRATOR: "Rin just freezes for a long, long second until she falls on her knees, hitting the floor ungracefully like a sack of potatoes." | |||
WOMAN: "Are you all right?" | WOMAN: "Are you all right?" |