Rin Tezuka: Difference between revisions
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=== Staff === | === Staff === | ||
[[Nomiya|Shinichi Nomiya]] - Yamaku's art teacher and Rin's mentor. Rin interacts regularly with him, but acts apathetic towards him and his friends (e.g., [[Sae Saionji]]), despite them being supportive of her artwork. | [[Nomiya|Shinichi Nomiya]] - Yamaku's art teacher and Rin's mentor. Rin interacts regularly with him, but acts apathetic towards him and his friends (e.g., [[Sae Saionji]]), despite them being supportive of her artwork. | ||
== Plot == | |||
''See [[Rin's route]] for the full plot-line.'' | |||
== Trivia == | == Trivia == | ||
*Rin is the only pursuable girl with noticeable tears on her sprite near the end of her route. | *Rin is the only pursuable girl with noticeable tears on her sprite near the end of her route. | ||
* | *"Rin" is a unisex name that means "dignified, severe, cold." ([http://www.behindthename.com/name/rin source]) sometimes mistranslated as "Lin" or "Lynn". "Tezuka" is a reference to the Japanese animator and manga artist [[wikipedia:Ozamu Tezuka|Ozamu Tezuka]]. | ||
* The second unlockable main menu picture shows Rin in the pose of the "[[wikipedia:Venus_de_Milo|Venus de Milo]]". | * The second unlockable main menu picture shows Rin in the pose of the "[[wikipedia:Venus_de_Milo|Venus de Milo]]". | ||
* Some assume Rin suffers from some degree of [[wikipedia:Alexithymia|alexithymia]] -- a personality construct characterized by the sub-clinical inability to identify and describe emotions in the self. This is evident in her inability to identify her own emotions and the emotions of others. | |||
* A note within the source code ("[[A Wider Field of Vision/Transcript|A Wider Field of Vision]]", the beginning of [[Act 2 - Disconnect]]) reveals some insight on how Rin's dialogue was written: {{Quote|I've been playing around with different styles for her to somehow communicate her state of mind through dialogue style. Currently (and this seems to be the final solution), there are two distinct "modes". Whenever she's in free-form stream-of-consciousness blabbering mode, she uses awkward grammar badly and has extreme trouble with idioms, sayings and figurative speech. And she talks in short sentences. Many of them in sequence. otoh when she pulls herself together and becomes overtly lucid, she starts talking without contractions and uses way more words per sentence than necessary to communicate whatever might currently be swirling inside of her mind. these are not hard and fast rules, more like general guidelines thus legibility and smooth flow of text always overrides them. Edit as you see fit really.}} | * A note within the source code ("[[A Wider Field of Vision/Transcript|A Wider Field of Vision]]", the beginning of [[Act 2 - Disconnect]]) reveals some insight on how Rin's dialogue was written: {{Quote|I've been playing around with different styles for her to somehow communicate her state of mind through dialogue style. Currently (and this seems to be the final solution), there are two distinct "modes". Whenever she's in free-form stream-of-consciousness blabbering mode, she uses awkward grammar badly and has extreme trouble with idioms, sayings and figurative speech. And she talks in short sentences. Many of them in sequence. otoh when she pulls herself together and becomes overtly lucid, she starts talking without contractions and uses way more words per sentence than necessary to communicate whatever might currently be swirling inside of her mind. these are not hard and fast rules, more like general guidelines thus legibility and smooth flow of text always overrides them. Edit as you see fit really.}} | ||
{{Katawa Shoujo Characters}} | {{Katawa Shoujo Characters}} | ||