Storage Space/Transcript: Difference between revisions

Line 112:

NARRATOR: "As I bend down to pick up Emi, she grins in triumph and pulls me into a kiss that quickly has us both entirely unconcerned about getting her back into the chair. In fact, as I move to a more comfortable position, I confess that the chair is pushed out the door, which, startled by the passage, swings shut. Well, at least we've got privacy now, which is a good thing as my hands have worked quickly to remove Emi's shirt. I'm startled to discover that she's forgotten a bra today. Did she plan this? Her arms hook under mine and rest on my shoulders as I kiss my way down Emi's neck, pausing to give special attention to a spot right where the neck meets the shoulder that I'd found last night."

{{Hentai scene|<div style="text-align:center">[[File:Emistoragespace.jpg|700px]]</div>}}

EMI: "Y—you've gotten pretty good at th—hee!"

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HISAO: "Huh."

-~~---~~

{{Hentai scene|

<div style="text-align:center">[[File:Emistoragespace.jpg|700px]]</div>

EMI: "Careful!"

HISAO: "Are you sure about this?"

NARRATOR: "I'm positioned behind Emi, who is looking back over her shoulder, looking a little flushed."

NARRATOR: "I'm positioned behind Emi, who is looking back over her shoulder, looking a little flushed. Well obviously once we decided to go ahead with this idea, we had to get back into the mood. That accomplished, we emptied the tube of lube and... Here we are."

~~NARRATOR: "~~Well obviously once we decided to go ahead with this idea, we had to get back into the mood."

~~NARRATOR: "~~That accomplished, we emptied the tube of lube and..."

~~NARRATOR: "~~Here we are."

EMI: "Yes, I'm sure! Come on, before I calm down and think too much about this."

NARRATOR: "Emi's breathing is still coming a little heavily, and her response is almost impatient."

NARRATOR: "Emi's breathing is still coming a little heavily, and her response is almost impatient. Which is to be expected, I suppose. We were both so close, and this is kind of delaying things. I think we've both gone temporarily insane. At least that's going to be my claim from here on out. I try hard not to think about the specifics of what I'm about to (quite literally) get myself into. There's no way this is going to be very clean."

~~NARRATOR: "~~Which is to be expected, I suppose. We were both so close, and this is kind of delaying things."

~~NARRATOR: "~~I think we've both gone temporarily insane."

~~NARRATOR: "~~At least that's going to be my claim from here on out."

~~NARRATOR: "~~I try hard not to think about the specifics of what I'm about to (quite literally) get myself into."

~~NARRATOR: "~~There's no way this is going to be very clean."

~~NARRATOR: "Taking a breath that is as much for me as it is for her, I enter slowly~~."

NARRATOR: "There's a lot of resistance, and it's like both our bodies are reluctant to actually go through with it."

NARRATOR: "Taking a breath that is as much for me as it is for her, I enter slowly. There's a lot of resistance, and it's like both our bodies are reluctant to actually go through with it. Emi's whole body tenses, and as I'm only partially in by this point, it feels surprisingly good, if a bit odd. Emi, on the other hand, looks uncomfortable. The expression is almost comical."

~~NARRATOR: "Emi's whole body tenses, and as I'm only partially in by this point, it feels surprisingly good, if a bit odd.~~"

<div style="text-align:center">[[File:Emistoragespaceclose.jpg]]</div>

~~NARRATOR~~: "~~Emi, on the other hand, looks uncomfortable."~~

~~NARRATOR~~: ~~"The expression is almost comical~~."

HISAO: "Should I stop?"

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Line 241:

EMI: "N-no, keep going. It just feels weird."

NARRATOR: "She giggles."

NARRATOR: "She giggles. I can't blame her. I'm surprised that I even managed to form a sentence. It's...hot. Feels exceedingly odd. The lube glistens unnaturally. It makes me uncomfortable. I continue to work my way inside her, working slowly and listening carefully to Emi's breathing. I reach my limit and pause. Emi looks back again, biting her lower lip."

~~NARRATOR: "~~I can't blame her. I'm surprised that I even managed to form a sentence."

~~NARRATOR: "~~It's...hot."

~~NARRATOR: "~~Feels exceedingly odd."

~~NARRATOR: "~~The lube glistens unnaturally."

~~NARRATOR: "~~It makes me uncomfortable."

~~NARRATOR: "~~I continue to work my way inside her, working slowly and listening carefully to Emi's breathing."

~~NARRATOR: "~~I reach my limit and pause. Emi looks back again, biting her lower lip."

EMI: "Are you going to try moving, or are we just going to sit here feeling silly?"

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HISAO: "No, I just wanted to give you a chance to adjust."

NARRATOR: "This doesn't make any sense."

NARRATOR: "This doesn't make any sense. How did we even decide to do this?"

~~NARRATOR~~: "~~How did we even decide~~ to do this?"

EMI: "I don't think there's really any adjusting to this, Hisao. Try moving. Maybe it'll feel better?"

~~EMI~~: "I ~~don't think there's really any adjusting~~ to this, ~~Hisao~~."

NARRATOR: "She sounds doubtful, but certainly unwilling to admit defeat now that we've come so far. I begin a slow motion that seems to work well for both myself and Emi, as she closes her eyes in an attempt to concentrate on this new feeling. As I begin to find a rhythm, I begin to feel that familiar falling-away sensation I got yesterday. I close my eyes and try to lose myself in the feeling, except..."

~~EMI~~: "~~Try moving~~. ~~Maybe~~ it'll ~~feel better?~~"

NARRATOR: "It doesn't seem right. Emi's not making any noise. I learned very quickly yesterday that Emi is somewhat less than quiet when she's enjoying herself. As I open my eyes, I see that Emi's trying to get into things, but it just doesn't seem to be working for her. Her eyes are closed, and she's biting her lip, but it seems to be out of toleration rather than enjoyment. A sort of “Well, this was a failure, but hopefully it'll be over soon” look."

NARRATOR: "~~She sounds doubtful~~, ~~but certainly unwilling~~ to ~~admit defeat now that we~~'~~ve come so~~ far."

NARRATOR: "I'm caught in a bit of a situation here. In truth, I don't want to stop. But at the same time, it doesn't seem to be doing much for Emi—or if it is, it's coming on far slower than I am. I feel bad. I want Emi to enjoy this, too. I reach one arm around to tease at Emi's chest, which startles her. This in turn causes her to tighten around me considerably, causing a wave of pleasure to blindside me."

~~NARRATOR: "I begin a slow motion that seems to work well for both myself and Emi, as she closes her eyes in an attempt to concentrate on this new feeling."~~

NARRATOR: "My gasp seems to amuse Emi, but her grin quickly turns to a gasp as I move my other hand casually down her front and begin to stroke gently at the soft patch of hair between her legs. The motion of my own hips increases as my hand's ministrations to Emi's front bring back the gasps and yelps that I'm used to. I concentrate only on the feelings of my hands, one now slick and sliding, the other on skin soft and responsive, goosebumps on her flesh, shivers and sweats, as her own building climax causes her to tighten, until finally I can't possibly—"

~~NARRATOR: "As I begin to find a rhythm, I begin to feel that familiar falling-away sensation I got yesterday."~~

~~NARRATOR: "I close my eyes and try to lose myself in the feeling, except..."~~

~~NARRATOR: "It doesn't seem right."~~

~~NARRATOR: "Emi's not making any noise."~~

~~NARRATOR: "I learned very quickly yesterday that Emi is somewhat less than quiet when she's enjoying herself."~~

~~NARRATOR: "As I open my eyes, I see that Emi's trying to get into things, but it just doesn't seem to be working for her."~~

~~NARRATOR: "Her eyes are closed, and she's biting her lip, but it seems to be out of toleration rather than enjoyment."~~

~~NARRATOR: "A sort of “Well, this was a failure, but hopefully it'll be over soon” look."~~

~~NARRATOR: "I'm caught in a bit of a situation here."~~

~~NARRATOR: "In truth, I don't want to stop."~~

~~NARRATOR: "But at the same time, it doesn't seem to be doing much for Emi—or if it is, it's coming on far slower than I am."~~

~~NARRATOR: "I feel bad. I want Emi to enjoy this, too."~~

~~NARRATOR: "I reach one arm around to tease at Emi's chest, which startles her."~~

~~NARRATOR: "This in turn causes her to tighten around me considerably, causing a wave of pleasure to blindside me."~~

NARRATOR: "My gasp seems to amuse Emi, but her grin quickly turns to a gasp as I move my other hand casually down her front and begin to stroke gently at the soft patch of hair between her legs."

~~NARRATOR: "~~The motion of my own hips increases as my hand's ministrations to Emi's front bring back the gasps and yelps that I'm used to."

~~NARRATOR: "~~I concentrate only on the feelings of my hands, one now slick and sliding, the other on skin soft and responsive, goosebumps on her flesh, shivers and sweats, as her own building climax causes her to tighten, until finally I can't possibly—" ~~#reminder for the potential {nw} break~~

NARRATOR: "NoIcan'tpossibly"

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NARRATOR: "OhgodI'msorryEmiI'mgoignto"

NARRATOR: "I give a final thrust, my fingers tense around Emi's nipples, dive between her legs."

NARRATOR: "I give a final thrust, my fingers tense around Emi's nipples, dive between her legs. Emi's back spasms and she arches up, a high, girlish cry that echoes off the walls, and I feel the wave of my own climax annihilate all other sensations in my body. Emi's arms give out and she falls forward, rather violently disengaging us and pulling something dear to me in the process. The sudden switch from pleasure to pain causes me to lose my balance, and I fall forward on top of Emi."}}

~~NARRATOR: "~~Emi's back spasms and she arches up, a high, girlish cry that echoes off the walls, and I feel the wave of my own climax annihilate all other sensations in my body."

~~NARRATOR: "~~Emi's arms give out and she falls forward, rather violently disengaging us and pulling something dear to me in the process."

~~NARRATOR: "~~The sudden switch from pleasure to pain causes me to lose my balance, and I fall forward on top of Emi."

~~return~~

~~label en_E21x:~~

~~----~~

EMI: "Ow!"

HISAO: "Ow."

NARRATOR: "I quickly roll off of Emi and lay there, staring at the ceiling and trying to ignore the pain in my crotch."

NARRATOR: "I quickly roll off of Emi and lay there, staring at the ceiling and trying to ignore the pain in my crotch. Emi yelps a little as she rolls over, and she quickly switches to a position on her side."

~~NARRATOR: "~~Emi yelps a little as she rolls over, and she quickly switches to a position on her side."

EMI: "That ~~{b}~~hurt~~{/b}~~ at the end!"

EMI: "That '''hurt''' at the end!"

HISAO: "Yeah, I uh..."

HISAO: "Yeah, I uh... This was probably not a great idea."

~~HISAO: "~~This was probably not a great idea."

NARRATOR: "Emi once again attempts to sit down and winces."

EMI: "Yeah, I'm going to have words with the captain."

EMI: "Yeah, I'm going to have words with the captain. He was clearly lying."

~~EMI: "He was clearly lying."~~

NARRATOR: "The utter and absolute ridiculousness of the situation suddenly hits and I begin laughing. Emi shakes her head and begins laughing with me."

NARRATOR: "The utter and absolute ridiculousness of the situation suddenly hits and I begin laughing."

~~NARRATOR: "~~Emi shakes her head and begins laughing with me."

EMI: "Hey, Hisao."

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NARRATOR: "Emi nods, satisfied."

EMI: "Good."

EMI: "Good. I think we should maybe stick to the basics, don't you?"

~~EMI: "~~I think we should maybe stick to the basics, don't you?"

EMI: "I mean most of this is new to me anyway."

~~#Remark to self: keep under strict watch this specific bit of sexual innuendo. -SC~~

HISAO: "What d'you mean, “most?”"

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EMI: "I'll never tell."

NARRATOR: "An unpleasant thought strikes me."

NARRATOR: "An unpleasant thought strikes me. Even more unpleasant is the thought of having to ask Emi about it. Still, after what we've just done, it should be a cakewalk."

~~NARRATOR: "~~Even more unpleasant is the thought of having to ask Emi about it."

~~NARRATOR: "Still, after what we've just done, it should be a cakewalk."~~

HISAO: "Hey, is there a sink? I'd kinda like to, er. Wash off a little."

HISAO: "Hey, is there a sink?"

~~HISAO: "~~I'd kinda like to, er."

~~HISAO: "~~Wash off a little."

NARRATOR: "Emi's jaw drops."

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EMI: "In the '''sink'''?"

HISAO: "Well, there's not really anywhere else to do it, is there?"

HISAO: "Well, there's not really anywhere else to do it, is there? And it uh... I want to avoid a smell. That the nurse might notice."

~~HISAO: "~~And it uh... I want to avoid a smell."

~~HISAO: "~~That the nurse might notice."

NARRATOR: "This is the most awkward conversation I have ever had."

EMI: "You're right."

EMI: "You're right. Yeah, there's uh... It's on the back wall. Might be some soap, too."

~~EMI: "~~Yeah, there's uh... It's on the back wall."

~~EMI: "~~Might be some soap, too."

HISAO: "Thanks."

NARRATOR: "There is in fact a little hand soap, which is better than nothing."

NARRATOR: "There is in fact a little hand soap, which is better than nothing. No towel, though. Guess I'll just have to drip dry."

~~NARRATOR: "~~No towel, though."

~~NARRATOR: "~~Guess I'll just have to drip dry."

EMI: "All finished?"

HISAO: "Yeah, that'll do for now."

HISAO: "Yeah, that'll do for now. It's not like I'm not going to take a shower after we see the nurse."

~~HISAO: "It's not like I'm not going to take a shower after we see the nurse."~~

EMI: "Glad to hear it. Now help me find my clothes. You tossed 'em somewhere."

EMI: "Glad to hear it."

~~EMI: "~~Now help me find my clothes. You tossed 'em somewhere."

HISAO: "Hey, you were no better! How am I supposed to explain that hole in my shirt, hmm?"

EMI: "Heh, sorry."

EMI: "Heh, sorry. I got a little excited earlier."

~~EMI: "~~I got a little excited earlier."

~~NARRATOR: "It takes some time (and we never do find Emi's panties), but finally we're both more or less clothed."~~

~~NARRATOR: "There's a frantic moment where neither of us knows where Emi's wheelchair is, but I recall it going through the door and rescue it~~."

~~EMI~~: "~~Now be~~ more ~~careful~~ going through the door ~~this time, would you?~~"

NARRATOR: "It takes some time (and we never do find Emi's panties), but finally we're both more or less clothed. There's a frantic moment where neither of us knows where Emi's wheelchair is, but I recall it going through the door and rescue it."

EMI: "Bumps are not my friend right now."

EMI: "Now be more careful going through the door this time, would you? Bumps are not my friend right now."

HISAO: "I am so sorry we tried this."

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NARRATOR: "Emi shrugs and grins."

EMI: "Well, it was worth a shot, right?"

EMI: "Well, it was worth a shot, right? And anyway, it was good exercise, right?"

~~EMI: "~~And anyway, it was good exercise, right?"

NARRATOR: "Can't argue that."

NARRATOR: "Can't argue that. As we make our way up to the nurse's office, I notice that Emi keeps shifting uncomfortably in her seat."

~~NARRATOR: "As we make our way up to the nurse's office, I notice that Emi keeps shifting uncomfortably in her seat."~~

EMI: "God, this feels weird. Good thing I'm in a wheelchair, Hisao."

EMI: "God, this feels weird."

~~EMI: "~~Good thing I'm in a wheelchair, Hisao."

HISAO: "Why's that?"

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EMI: "Because, now I don't have to explain to the nurse why I'm walking funny."

HISAO: "Oh."

HISAO: "Oh. We're never doing this again."

~~HISAO: "~~We're never doing this again."

~~NARRATOR: "The nurse is at least kind enough to not comment on the marks that Emi left on my shoulders."~~

~~NARRATOR: "Nor does he say a word about Emi's constant shifting about in her wheelchair."~~

~~NARRATOR: "Either he didn't notice, or he didn't {b}want{/b} to notice."~~

~~NARRATOR: "All the same, I'm going to have to make sure he didn't slip cyanide into my medication for a little while."~~

~~NARRATOR: "Just to be safe."~~

~~NARRATOR: "I shower for longer than usual, just to be sure I'm clean after our little “experiment”, and then collapse on my bed."~~

~~NARRATOR: "Class is in twenty minutes, so..."~~

~~NARRATOR: "I can probably afford a nap, right?"~~

~~NARRATOR: "Ah, screw it. If I sleep, I sleep."~~

NARRATOR: "The nurse is at least kind enough to not comment on the marks that Emi left on my shoulders. Nor does he say a word about Emi's constant shifting about in her wheelchair. Either he didn't notice, or he didn't '''want''' to notice. All the same, I'm going to have to make sure he didn't slip cyanide into my medication for a little while. Just to be safe."

NARRATOR: "I shower for longer than usual, just to be sure I'm clean after our little “experiment”, and then collapse on my bed. Class is in twenty minutes, so... I can probably afford a nap, right? Ah, screw it. If I sleep, I sleep."

<p style="text-align:center;">'''Next Scene: [[After-school Plans/Transcript|After-school Plans]]'''</p>

@@ Line 112: / Line 112: @@
 NARRATOR: "As I bend down to pick up Emi, she grins in triumph and pulls me into a kiss that quickly has us both entirely unconcerned about getting her back into the chair. In fact, as I move to a more comfortable position, I confess that the chair is pushed out the door, which, startled by the passage, swings shut. Well, at least we've got privacy now, which is a good thing as my hands have worked quickly to remove Emi's shirt. I'm startled to discover that she's forgotten a bra today. Did she plan this? Her arms hook under mine and rest on my shoulders as I kiss my way down Emi's neck, pausing to give special attention to a spot right where the neck meets the shoulder that I'd found last night."
+{{Hentai scene|<div style="text-align:center">[[File:Emistoragespace.jpg|700px]]</div>}}
 EMI: "Y—you've gotten pretty good at th—hee!"
@@ Line 217: / Line 219: @@
 HISAO: "Huh."
-----
+{{Hentai scene|
+<div style="text-align:center">[[File:Emistoragespace.jpg|700px]]</div>
 EMI: "Careful!"
 HISAO: "Are you sure about this?"
-NARRATOR: "I'm positioned behind Emi, who is looking back over her shoulder, looking a little flushed."
+NARRATOR: "I'm positioned behind Emi, who is looking back over her shoulder, looking a little flushed. Well obviously once we decided to go ahead with this idea, we had to get back into the mood. That accomplished, we emptied the tube of lube and... Here we are."
-NARRATOR: "Well obviously once we decided to go ahead with this idea, we had to get back into the mood."
-NARRATOR: "That accomplished, we emptied the tube of lube and..."
-NARRATOR: "Here we are."
 EMI: "Yes, I'm sure! Come on, before I calm down and think too much about this."
-NARRATOR: "Emi's breathing is still coming a little heavily, and her response is almost impatient."
+NARRATOR: "Emi's breathing is still coming a little heavily, and her response is almost impatient. Which is to be expected, I suppose. We were both so close, and this is kind of delaying things. I think we've both gone temporarily insane. At least that's going to be my claim from here on out. I try hard not to think about the specifics of what I'm about to (quite literally) get myself into. There's no way this is going to be very clean."
-NARRATOR: "Which is to be expected, I suppose. We were both so close, and this is kind of delaying things."
-NARRATOR: "I think we've both gone temporarily insane."
-NARRATOR: "At least that's going to be my claim from here on out."
-NARRATOR: "I try hard not to think about the specifics of what I'm about to (quite literally) get myself into."
-NARRATOR: "There's no way this is going to be very clean."
-NARRATOR: "Taking a breath that is as much for me as it is for her, I enter slowly."
-NARRATOR: "There's a lot of resistance, and it's like both our bodies are reluctant to actually go through with it."
+NARRATOR: "Taking a breath that is as much for me as it is for her, I enter slowly. There's a lot of resistance, and it's like both our bodies are reluctant to actually go through with it. Emi's whole body tenses, and as I'm only partially in by this point, it feels surprisingly good, if a bit odd. Emi, on the other hand, looks uncomfortable. The expression is almost comical."
-NARRATOR: "Emi's whole body tenses, and as I'm only partially in by this point, it feels surprisingly good, if a bit odd."
+<div style="text-align:center">[[File:Emistoragespaceclose.jpg]]</div>
-NARRATOR: "Emi, on the other hand, looks uncomfortable."
-NARRATOR: "The expression is almost comical."
 HISAO: "Should I stop?"
@@ Line 261: / Line 241: @@
 EMI: "N-no, keep going. It just feels weird."
-NARRATOR: "She giggles."
+NARRATOR: "She giggles. I can't blame her. I'm surprised that I even managed to form a sentence. It's...hot. Feels exceedingly odd. The lube glistens unnaturally. It makes me uncomfortable. I continue to work my way inside her, working slowly and listening carefully to Emi's breathing. I reach my limit and pause. Emi looks back again, biting her lower lip."
-NARRATOR: "I can't blame her.  I'm surprised that I even managed to form a sentence."
-NARRATOR: "It's...hot."
-NARRATOR: "Feels exceedingly odd."
-NARRATOR: "The lube glistens unnaturally."
-NARRATOR: "It makes me uncomfortable."
-NARRATOR: "I continue to work my way inside her, working slowly and listening carefully to Emi's breathing."
-NARRATOR: "I reach my limit and pause. Emi looks back again, biting her lower lip."
 EMI: "Are you going to try moving, or are we just going to sit here feeling silly?"
@@ Line 281: / Line 247: @@
 HISAO: "No, I just wanted to give you a chance to adjust."
-NARRATOR: "This doesn't make any sense."
+NARRATOR: "This doesn't make any sense. How did we even decide to do this?"
-NARRATOR: "How did we even decide to do this?"
+EMI: "I don't think there's really any adjusting to this, Hisao. Try moving. Maybe it'll feel better?"
-EMI: "I don't think there's really any adjusting to this, Hisao."
+NARRATOR: "She sounds doubtful, but certainly unwilling to admit defeat now that we've come so far. I begin a slow motion that seems to work well for both myself and Emi, as she closes her eyes in an attempt to concentrate on this new feeling. As I begin to find a rhythm, I begin to feel that familiar falling-away sensation I got yesterday. I close my eyes and try to lose myself in the feeling, except..."
-EMI: "Try moving. Maybe it'll feel better?"
+NARRATOR: "It doesn't seem right. Emi's not making any noise. I learned very quickly yesterday that Emi is somewhat less than quiet when she's enjoying herself. As I open my eyes, I see that Emi's trying to get into things, but it just doesn't seem to be working for her. Her eyes are closed, and she's biting her lip, but it seems to be out of toleration rather than enjoyment. A sort of “Well, this was a failure, but hopefully it'll be over soon” look."
-NARRATOR: "She sounds doubtful, but certainly unwilling to admit defeat now that we've come so far."
+NARRATOR: "I'm caught in a bit of a situation here. In truth, I don't want to stop. But at the same time, it doesn't seem to be doing much for Emi—or if it is, it's coming on far slower than I am. I feel bad. I want Emi to enjoy this, too. I reach one arm around to tease at Emi's chest, which startles her. This in turn causes her to tighten around me considerably, causing a wave of pleasure to blindside me."
-NARRATOR: "I begin a slow motion that seems to work well for both myself and Emi, as she closes her eyes in an attempt to concentrate on this new feeling."
+NARRATOR: "My gasp seems to amuse Emi, but her grin quickly turns to a gasp as I move my other hand casually down her front and begin to stroke gently at the soft patch of hair between her legs. The motion of my own hips increases as my hand's ministrations to Emi's front bring back the gasps and yelps that I'm used to. I concentrate only on the feelings of my hands, one now slick and sliding, the other on skin soft and responsive, goosebumps on her flesh, shivers and sweats, as her own building climax causes her to tighten, until finally I can't possibly—"
-NARRATOR: "As I begin to find a rhythm, I begin to feel that familiar falling-away sensation I got yesterday."
-NARRATOR: "I close my eyes and try to lose myself in the feeling, except..."
-NARRATOR: "It doesn't seem right."
-NARRATOR: "Emi's not making any noise."
-NARRATOR: "I learned very quickly yesterday that Emi is somewhat less than quiet when she's enjoying herself."
-NARRATOR: "As I open my eyes, I see that Emi's trying to get into things, but it just doesn't seem to be working for her."
-NARRATOR: "Her eyes are closed, and she's biting her lip, but it seems to be out of toleration rather than enjoyment."
-NARRATOR: "A sort of “Well, this was a failure, but hopefully it'll be over soon” look."
-NARRATOR: "I'm caught in a bit of a situation here."
-NARRATOR: "In truth, I don't want to stop."
-NARRATOR: "But at the same time, it doesn't seem to be doing much for Emi—or if it is, it's coming on far slower than I am."
-NARRATOR: "I feel bad. I want Emi to enjoy this, too."
-NARRATOR: "I reach one arm around to tease at Emi's chest, which startles her."
-NARRATOR: "This in turn causes her to tighten around me considerably, causing a wave of pleasure to blindside me."
-NARRATOR: "My gasp seems to amuse Emi, but her grin quickly turns to a gasp as I move my other hand casually down her front and begin to stroke gently at the soft patch of hair between her legs."
-NARRATOR: "The motion of my own hips increases as my hand's ministrations to Emi's front bring back the gasps and yelps that I'm used to."
-NARRATOR: "I concentrate only on the feelings of my hands, one now slick and sliding, the other on skin soft and responsive, goosebumps on her flesh, shivers and sweats, as her own building climax causes her to tighten, until finally I can't possibly—" #reminder for the potential {nw} break
 NARRATOR: "NoIcan'tpossibly"
@@ Line 331: / Line 263: @@
 NARRATOR: "OhgodI'msorryEmiI'mgoignto"
-NARRATOR: "I give a final thrust, my fingers tense around Emi's nipples, dive between her legs."
+NARRATOR: "I give a final thrust, my fingers tense around Emi's nipples, dive between her legs. Emi's back spasms and she arches up, a high, girlish cry that echoes off the walls, and I feel the wave of my own climax annihilate all other sensations in my body. Emi's arms give out and she falls forward, rather violently disengaging us and pulling something dear to me in the process. The sudden switch from pleasure to pain causes me to lose my balance, and I fall forward on top of Emi."}}
-NARRATOR: "Emi's back spasms and she arches up, a high, girlish cry that echoes off the walls, and I feel the wave of my own climax annihilate all other sensations in my body."
-NARRATOR: "Emi's arms give out and she falls forward, rather violently disengaging us and pulling something dear to me in the process."
-NARRATOR: "The sudden switch from pleasure to pain causes me to lose my balance, and I fall forward on top of Emi."
-return
-label en_E21x:
-----
 EMI: "Ow!"
 HISAO: "Ow."
-NARRATOR: "I quickly roll off of Emi and lay there, staring at the ceiling and trying to ignore the pain in my crotch."
+NARRATOR: "I quickly roll off of Emi and lay there, staring at the ceiling and trying to ignore the pain in my crotch. Emi yelps a little as she rolls over, and she quickly switches to a position on her side."
-NARRATOR: "Emi yelps a little as she rolls over, and she quickly switches to a position on her side."
-EMI: "That {b}hurt{/b} at the end!"
+EMI: "That '''hurt''' at the end!"
-HISAO: "Yeah, I uh..."
+HISAO: "Yeah, I uh... This was probably not a great idea."
-HISAO: "This was probably not a great idea."
 NARRATOR: "Emi once again attempts to sit down and winces."
-EMI: "Yeah, I'm going to have words with the captain."
+EMI: "Yeah, I'm going to have words with the captain. He was clearly lying."
-EMI: "He was clearly lying."
+NARRATOR: "The utter and absolute ridiculousness of the situation suddenly hits and I begin laughing. Emi shakes her head and begins laughing with me."
-NARRATOR: "The utter and absolute ridiculousness of the situation suddenly hits and I begin laughing."
-NARRATOR: "Emi shakes her head and begins laughing with me."
 EMI: "Hey, Hisao."
@@ Line 379: / Line 290: @@
 NARRATOR: "Emi nods, satisfied."
-EMI: "Good."
+EMI: "Good. I think we should maybe stick to the basics, don't you?"
-EMI: "I think we should maybe stick to the basics, don't you?"
 EMI: "I mean most of this is new to me anyway."
-#Remark to self: keep under strict watch this specific bit of sexual innuendo. -SC
 HISAO: "What d'you mean, “most?”"
@@ Line 392: / Line 300: @@
 EMI: "I'll never tell."
-NARRATOR: "An unpleasant thought strikes me."
+NARRATOR: "An unpleasant thought strikes me. Even more unpleasant is the thought of having to ask Emi about it. Still, after what we've just done, it should be a cakewalk."
-NARRATOR: "Even more unpleasant is the thought of having to ask Emi about it."
-NARRATOR: "Still, after what we've just done, it should be a cakewalk."
+HISAO: "Hey, is there a sink? I'd kinda like to, er. Wash off a little."
-HISAO: "Hey, is there a sink?"
-HISAO: "I'd kinda like to, er."
-HISAO: "Wash off a little."
 NARRATOR: "Emi's jaw drops."
@@ Line 408: / Line 308: @@
 EMI: "In the '''sink'''?"
-HISAO: "Well, there's not really anywhere else to do it, is there?"
+HISAO: "Well, there's not really anywhere else to do it, is there? And it uh... I want to avoid a smell. That the nurse might notice."
-HISAO: "And it uh...  I want to avoid a smell."
-HISAO: "That the nurse might notice."
 NARRATOR: "This is the most awkward conversation I have ever had."
-EMI: "You're right."
+EMI: "You're right. Yeah, there's uh... It's on the back wall. Might be some soap, too."
-EMI: "Yeah, there's uh...  It's on the back wall."
-EMI: "Might be some soap, too."
 HISAO: "Thanks."
-NARRATOR: "There is in fact a little hand soap, which is better than nothing."
+NARRATOR: "There is in fact a little hand soap, which is better than nothing. No towel, though. Guess I'll just have to drip dry."
-NARRATOR: "No towel, though."
-NARRATOR: "Guess I'll just have to drip dry."
 EMI: "All finished?"
-HISAO: "Yeah, that'll do for now."
+HISAO: "Yeah, that'll do for now. It's not like I'm not going to take a shower after we see the nurse."
-HISAO: "It's not like I'm not going to take a shower after we see the nurse."
+EMI: "Glad to hear it. Now help me find my clothes. You tossed 'em somewhere."
-EMI: "Glad to hear it."
-EMI: "Now help me find my clothes. You tossed 'em somewhere."
 HISAO: "Hey, you were no better! How am I supposed to explain that hole in my shirt, hmm?"
-EMI: "Heh, sorry."
+EMI: "Heh, sorry. I got a little excited earlier."
-EMI: "I got a little excited earlier."
-NARRATOR: "It takes some time (and we never do find Emi's panties), but finally we're both more or less clothed."
-NARRATOR: "There's a frantic moment where neither of us knows where Emi's wheelchair is, but I recall it going through the door and rescue it."
-EMI: "Now be more careful going through the door this time, would you?"
+NARRATOR: "It takes some time (and we never do find Emi's panties), but finally we're both more or less clothed. There's a frantic moment where neither of us knows where Emi's wheelchair is, but I recall it going through the door and rescue it."
-EMI: "Bumps are not my friend right now."
+EMI: "Now be more careful going through the door this time, would you? Bumps are not my friend right now."
 HISAO: "I am so sorry we tried this."
@@ Line 458: / Line 336: @@
 NARRATOR: "Emi shrugs and grins."
-EMI: "Well, it was worth a shot, right?"
+EMI: "Well, it was worth a shot, right? And anyway, it was good exercise, right?"
-EMI: "And anyway, it was good exercise, right?"
-NARRATOR: "Can't argue that."
+NARRATOR: "Can't argue that. As we make our way up to the nurse's office, I notice that Emi keeps shifting uncomfortably in her seat."
-NARRATOR: "As we make our way up to the nurse's office, I notice that Emi keeps shifting uncomfortably in her seat."
+EMI: "God, this feels weird. Good thing I'm in a wheelchair, Hisao."
-EMI: "God, this feels weird."
-EMI: "Good thing I'm in a wheelchair, Hisao."
 HISAO: "Why's that?"
@@ Line 474: / Line 346: @@
 EMI: "Because, now I don't have to explain to the nurse why I'm walking funny."
-HISAO: "Oh."
+HISAO: "Oh. We're never doing this again."
-HISAO: "We're never doing this again."
-NARRATOR: "The nurse is at least kind enough to not comment on the marks that Emi left on my shoulders."
-NARRATOR: "Nor does he say a word about Emi's constant shifting about in her wheelchair."
-NARRATOR: "Either he didn't notice, or he didn't {b}want{/b} to notice."
-NARRATOR: "All the same, I'm going to have to make sure he didn't slip cyanide into my medication for a little while."
-NARRATOR: "Just to be safe."
-NARRATOR: "I shower for longer than usual, just to be sure I'm clean after our little “experiment”, and then collapse on my bed."
-NARRATOR: "Class is in twenty minutes, so..."
-NARRATOR: "I can probably afford a nap, right?"
-NARRATOR: "Ah, screw it. If I sleep, I sleep."
+NARRATOR: "The nurse is at least kind enough to not comment on the marks that Emi left on my shoulders. Nor does he say a word about Emi's constant shifting about in her wheelchair. Either he didn't notice, or he didn't '''want''' to notice. All the same, I'm going to have to make sure he didn't slip cyanide into my medication for a little while. Just to be safe."
+NARRATOR: "I shower for longer than usual, just to be sure I'm clean after our little “experiment”, and then collapse on my bed. Class is in twenty minutes, so... I can probably afford a nap, right? Ah, screw it. If I sleep, I sleep."
 <p style="text-align:center;">'''Next Scene: [[After-school Plans/Transcript|After-school Plans]]'''</p>