Pseudo Tea Cosy/Transcript: Difference between revisions
imported>TheWallflower00 No edit summary |
imported>TheWallflower00 No edit summary |
||
| Line 1: | Line 1: | ||
{{Infobox transcripts|content=*[[Hisao Nakai]] | {{Infobox transcripts|content=*[[Hisao Nakai]] | ||
*[[Lilly Satou]] | *[[Lilly Satou]] (first appearance) | ||
*[[Yuuko Shirakawa]] | *[[Yuuko Shirakawa]] (first appearance) | ||
|next = [[Shared Library/Transcript|Shared Library]]||prev = [[Risk vs. Reward/Transcript|Risk vs. Reward]]| name = Pseudo Tea Cosy}} | |next = [[Shared Library/Transcript|Shared Library]]||prev = [[Risk vs. Reward/Transcript|Risk vs. Reward]]| name = Pseudo Tea Cosy}} | ||
NARRATOR: "One flight of stairs up and I run into problems. The second floor hallway is a carbon copy of the third floor one. Wide, of course; and plain, like only hallways can be. The problem is that the library's whereabouts are not as easily determined as one would think. The classrooms are marked with signs stating which class they belong to, but then there is a plethora of other, unmarked rooms. Is the library one of them? Or is it just somewhere down the hallway? I bet on the latter and choose my direction at random. | NARRATOR: "One flight of stairs up and I run into problems. The second floor hallway is a carbon copy of the third floor one. Wide, of course; and plain, like only hallways can be. The problem is that the library's whereabouts are not as easily determined as one would think. The classrooms are marked with signs stating which class they belong to, but then there is a plethora of other, unmarked rooms. Is the library one of them? Or is it just somewhere down the hallway? I bet on the latter and choose my direction at random. | ||
NARRATOR: "After I turn around the corner, an unmarked door draws my attention because it's not closed. It's not open either though, just barely ajar so that I can see it's open and nothing else. It would make sense for the library door to be invitingly open, and while this one is not quite that, it's good enough. At the very least it means that someone is inside and I can ask for directions no matter how embarrassing that is. I gingerly push on the center of the door with my fingertips, every muscle in my arm ready to pull back at a moment's notice. The feeling of being an outsider to this school can't be shaken from my mind, so much so that I instinctively fear doing something wrong by entering." | NARRATOR: "After I turn around the corner, an unmarked door draws my attention because it's not closed. It's not open either though, just barely ajar so that I can see it's open and nothing else. It would make sense for the library door to be invitingly open, and while this one is not quite that, it's good enough. At the very least it means that someone is inside and I can ask for directions no matter how embarrassing that is. I gingerly push on the center of the door with my fingertips, every muscle in my arm ready to pull back at a moment's notice. The feeling of being an outsider to this school can't be shaken from my mind, so much so that I instinctively fear doing something wrong by entering." | ||
| Line 210: | Line 210: | ||
NARRATOR: "Lilly's innocent suggestion is met with an expression of abject terror." | NARRATOR: "Lilly's innocent suggestion is met with an expression of abject terror." | ||
YUUKO: "I... Please Lilly, I can't. I don't know what he could be interested in. This is too much responsibility. | YUUKO: "I... Please Lilly, I can't. I don't know what he could be interested in. This is too much responsibility. | ||
NARRATOR: "How it's any responsibility at all I don't get, but her objection is so sincere I don't doubt for a second that she would rather disembowel herself on the spot than tell me where the light novels are." | NARRATOR: "How it's any responsibility at all I don't get, but her objection is so sincere I don't doubt for a second that she would rather disembowel herself on the spot than tell me where the light novels are." | ||